yves saint laurent collection 1967 | yves saint laurent apparel yves saint laurent collection 1967 La Collection; Les Chroniques. En 1966, Yves Saint Laurent et Pierre Bergé . SAŅEM SAVU JAUNO AUTO. SIA "KRISTĪNE 2012". Reģ. Nr. 40103529795. Jur. adrese: Istras iela 18, Rīga, LV-1082. Adrese: Kaibalas iela 26, Rīga, LV-1035. Tel.: +371 24666777. E-pasts:
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Other than his visits to Morocco, Yves Saint Laurent did not like traveling. His most beautiful journeys were imagined. For his Spring-Summer 1967 collection, he was inspired by Africa, .A year after the tuxedo, Yves Saint Laurent proposed his first pantsuit in his Spring .La Collection; Les Chroniques. En 1966, Yves Saint Laurent et Pierre Bergé .
Carrying on the work begun by the haute couture house in 1983, the Musée Yves .Dive into Yves Saint Laurent’s universe and discover aspects of his l. Accéder au .Le Musée Yves Saint Laurent Paris expose l’œuvre du couturier, à travers un .Le Musée Yves Saint Laurent Paris expose l’œuvre du couturier, à travers un .
A year after the tuxedo, Yves Saint Laurent proposed his first pantsuit in his Spring-Summer 1967 collection. It was an unusual design for a suit, which was traditionally worn with a skirt. Just as .In his Spring-Summer 1967 collection, Yves Saint Laurent paid tribute to Bambara art, named after the largest ethnic group in Mali. Ten years later, he created a collection inspired by Spain. Instead of trying to reproduce outfits from the .Other than his visits to Morocco, Yves Saint Laurent did not like traveling. His most beautiful journeys were imagined. For his Spring-Summer 1967 collection, he was inspired by Africa, creating a series of delicate gowns from a variety of materials, including wooden beads, raffia, straw, and golden thread. At a time when industrial production .A year after the tuxedo, Yves Saint Laurent proposed his first pantsuit in his Spring-Summer 1967 collection. It was an unusual design for a suit, which was traditionally worn with a skirt. Just as he did for the tuxedo, Saint Laurent adapted the traditionally masculine suit for the female body.
In his Spring-Summer 1967 collection, Yves Saint Laurent paid tribute to Bambara art, named after the largest ethnic group in Mali. Ten years later, he created a collection inspired by Spain. Instead of trying to reproduce outfits from the past, the couturier sought inspiration in .1985: "African Queen" collection. After drawing inspiration from Africa for his 1967 collection, Saint Laurent debuted his “African Queen” collection, dedicating the show to longtime muse Iman.
Saint Laurent surrounded by Pierre Berge, Betty Catroux, LouLou Klossowski and Anne-Marie Munoz.Yves Saint Laurent, a designer extremely sensitive to social trends, responded to the May student uprisings in 1968 by creating a line of women's tailored trouser suits. Based on the "African" theme, he created a "Safari" suit for his spring/summer 1968 collection, transforming the functional hunting outfit into townwear for women. Yves Saint Lauren’s African & Safari Collections caused quite the revolution in the fashion world in 1967. Inspired by the fantasy and exoticism of traditional cultural African dress YSL’s interpretation made beaded, feathered, tribal patterns oh so chic and beautiful!
By combining elements of street style with haute couture production techniques, Saint Laurent energized an insular world. Mini-dress C. 1967 Yves Saint Laurent Gift of Laura Jarre 99.384.1A-C. After the Beat collection bombed, Saint Laurent .Pants provided a viable alternative and surcease from further slides of skirts up and down the leg. Saint Laurent was the couturier most ready to offer pants, having systematically presented them, first as part of his smoking ensembles, since the mid-1960s.Yves Saint Laurent. A sensational haute couture sleeveless cocktail dress from Yves Saint Laurent's African inspired collection, Spring, 1967, the bodice and skirt made up of bands of imitation mother-of-pearl shells, imitation coral drops and beads and orange vermicelli sequins, the open peep-through midriff strung with a beadwork lattice of .
Other than his visits to Morocco, Yves Saint Laurent did not like traveling. His most beautiful journeys were imagined. For his Spring-Summer 1967 collection, he was inspired by Africa, creating a series of delicate gowns from a variety of materials, including wooden beads, raffia, straw, and golden thread. At a time when industrial production .
A year after the tuxedo, Yves Saint Laurent proposed his first pantsuit in his Spring-Summer 1967 collection. It was an unusual design for a suit, which was traditionally worn with a skirt. Just as he did for the tuxedo, Saint Laurent adapted the traditionally masculine suit for the female body.In his Spring-Summer 1967 collection, Yves Saint Laurent paid tribute to Bambara art, named after the largest ethnic group in Mali. Ten years later, he created a collection inspired by Spain. Instead of trying to reproduce outfits from the past, the couturier sought inspiration in .
1985: "African Queen" collection. After drawing inspiration from Africa for his 1967 collection, Saint Laurent debuted his “African Queen” collection, dedicating the show to longtime muse Iman.
Saint Laurent surrounded by Pierre Berge, Betty Catroux, LouLou Klossowski and Anne-Marie Munoz.Yves Saint Laurent, a designer extremely sensitive to social trends, responded to the May student uprisings in 1968 by creating a line of women's tailored trouser suits. Based on the "African" theme, he created a "Safari" suit for his spring/summer 1968 collection, transforming the functional hunting outfit into townwear for women. Yves Saint Lauren’s African & Safari Collections caused quite the revolution in the fashion world in 1967. Inspired by the fantasy and exoticism of traditional cultural African dress YSL’s interpretation made beaded, feathered, tribal patterns oh so chic and beautiful!
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By combining elements of street style with haute couture production techniques, Saint Laurent energized an insular world. Mini-dress C. 1967 Yves Saint Laurent Gift of Laura Jarre 99.384.1A-C. After the Beat collection bombed, Saint Laurent .Pants provided a viable alternative and surcease from further slides of skirts up and down the leg. Saint Laurent was the couturier most ready to offer pants, having systematically presented them, first as part of his smoking ensembles, since the mid-1960s.
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